[QUOTE]
In the backyard of the [Royal Academy of Fine Arts] school was this little building, on the verge of collapsing. You would have to very carefully go over the stairs, because if you took one mis-step, you could literally push your feet through them. It was almost dangerous. So I think that the whole thing melted well together. It was the switch from the 80s to 90s, the reaction on excess with minimalism and deconstruction, the first appearance of grunge. So that feeling of romanticism, together with the history, the building and the run down corridors with the statues, it really did make a big impact on how you formed your visual language. I really think there was something quite dark and magical about it, matching perfectly the zeitgeist of the period.
![Celebrating Twenty Years of Martin MargielaArena Homme Plus, 30: Hard Times
s/s 89: gauze veil from Martin Margiela’s debut collection
photo Willy Vanderperrestyling Olivier Rizzo
memo: as one of those special moments, right there and then, an instant spark was created. as of the archive martin margiela’s pieces to be employed and quietly disturbed, u see it unveiling right before you. as many beautiful pieces the duo [Willy Vanderperre and Olivier Rizzo] have created, this is it.](http://24.media.tumblr.com/tumblr_lnoaj5x0tZ1qapp1ao1_1280.jpg)
